Valuable both as artistic creations and as historical artefacts, the family quilts in this book reflect decades of work, familial interactions, economic philosophy, and personal and communal values. Mary Black's Family Quilts utilizes a remarkable collection of sixteen quilts to tell the story of a family through six generations and access the material behaviour associated with quiltmaking traditions. The daughter of a prominent farmer, Mary Louisa Snoddy Black (1860-1927) is remembered in the Spartanburg, South Carolina, region for the hospital named in her honour and for the philanthropic foundation that continues to support community health and wellness. Laurel Horton explores the even more tangible legacy Black left to her descendants - trunks full of quilts made by women of the family, each labelled with detailed information about its origin and significance. Pairing the information from the labels with research culled from interviews, letters, and public documents, Horton stitches together the family's history across the fabric of two centuries as she explores the roles of women as keepers of home, hearth, and history in nineteenth- and twentieth-century America. From the whole-cloth quilt made by Black's great-grandmother around 1850 to examples from the early twentieth century, Horton traces changes in style, material, and functions of quilts. In doing so, she dispels popular misconceptions associated with these pieces of Americana, including the notion that the earliest examples were made out of necessity from salvaged materials. She shows instead that early quilts were finely crafted from expensive materials and prized more for their aesthetic merits and symbolic functions than for their assumed domestic use.